Home Catalog Contact Chambless Cine Equipment Home Order Form Shipping Terms of Purchase


UNTIL FURTHER NOTICE, WEBSITE IS CLOSED DUE TO FAMILY MEDICAL CARETAKING

SUPER 16

BOLEX SUPER 16 CONVERSION

TOP PROFESSIONAL BOLEX QUALITY, RENOWNED THE WORLD OVER.
If you own a Bolex H16 bayonet-mount camera, you have the opportunity to convert your equipment to the Super 16 format at an affordable price. Once the conversion is performed, switching between the 16 and Super 16 is very easily done in the field (for SB, SBM, EBM and EL cameras).

We are confident that it will be hard to find a better value, whether you are looking for new or converted Super 16 equipment. New Super 16 is available in the rugged spring-driven SBM or the totally electronic EL camera.

BOLEX AND SUPER 16

Conversion of H16 RX2,RX3, RX4, RX5, SB, SBM, EBM and EL cameras:


For film production of all kinds, whether for science, research or documentaries, destined for classical large-screen projection and transfer to video, 16mm Bolex cameras have an excellent reputation with professionals, semi-professionals or discerning amateurs all over the world.

Film specialists agree that, largely on account of a significant improvement in definition due to its larger image, the Super 16 format offers a higher degree of professionalism, especially with a view to new wide-screen television technology and blow-up to 35mm standard film.

In line with this new development, Bolex has introduced the Super 16 format. All 16mm Bolex cameras with bayonet lens mount or C-mount (H16 RX2, RX3, RX4, RX5, SB, SBM, EBM and EL) can be converted to the new format with a 10X or 13X viewfinder.

The current models Bolex H16 RX5, SBM and EL can be ordered already converted to Super 16 or can be adapted at a later stage. It is useful to know that a Super 16 converted Bolex Bayonet camera can be quickly readapted to regular 16 at any time and vice versa, without special tools or parts.

CONVERSION OF THE KERN VARIO-SWITAR 12.5-100mm LENS

Conversion is no longer offered by BOLEX FACTORY due to exhaustion of needed new replacement optics.



 

MODIFICATION OF THE 400 FEET (120 m) MAGAZINE
In order to avoid scratches and pressure marks on the film, the entry funnel of the 400 feet (120m) magazine has to be modified.

With this Super 16 program, Bolex is in the position to offer complete equipment or to modify all your cameras , at very attractive prices.

Please note that the above transformations can only be carried out in our works in Switzerland.

Bolex International SA, CH - 1400 Yverdon-les-bains, 


CAMERAS CONVERTED TO SUPER 16

  1. Before inserting a film, make sure - by looking at the upper part of the front plate - that the optical axis is adjusted for the required format ("S" opposite its mark for Super 16 and "N" for regular 16).
  2. Except for the RX cameras, the change of the optical axis position for the two formats is achieved by shifting the front plate after having loosened the 4 fixing screws (5 screws on SB and SBM cameras).
    Two of those screws are secured by a nut located on both sides of the film gate in the film chamber.
    WARNING: Only the upper plate (approx. 4mm thick) should be shifted to match the marks.
    Whenever possible, we recommend to have this operation done by a Bolex Service Station.
  3. The loading procedure remains unchanged. It is recommended to do these operations in very dim light to avoid lateral fogging of the film. The Super 16 image spreading very near the edge of the film, special care should be taken to avoid light leaking between the flanges of the spool.
  4. Always leave a filter holder in place even if no filter is used.


VIEWFINDER
The different visible marks in the viewfinder are to be used as follows:


Front plate set on S (Super 16 format)
The whole field is used when the image is to be
blown up to 35mm or projected on special
Super 16 projectors.


1 : 1.66


Front plate set on S (Super 16 format):
For the current requirements of television, the essential part of the image should be kept in the center field defined by the tips of the arrow, in order to use the film for wide screen TV as well as conventional 1:1.33 sets. Copying of Super 16 on regular 16mm film using the center part of the image is also possible.

1 : 1.33

Front plate set on S (Super 16 format):
Using the whole width of the viewfinder but aligning the top and bottom of the image on the tips of the arrows will result in a ratio of 1:1.77 corresponding to that of wide screen TV and HDTV.

1 : 1.77

Front plate set on N (Regular 16mm):
The corner marks define the field corresponding
to a TV frame with ratio 1:1.33.

(Not for RX cameras)

1 : 1.33


EYEPIECE
The adjustment of the eyepiece has to be done on the grain of the ground glass as indicated in the instruction manual and not on the reference marks, the latter being slightly away from the ground glass.


HOW TO SWITCH FROM 16 mm TO Super 16 AND VICE VERSA


Bolex H16 EL camera:
A-B-C-D = 4 fixing screws on front plate.

Bolex H16 SB and SBM camera:
E-F-G-H-J = 5 fixing screws on front plate.

Bolex H16 EBM camera:
Same position as for the SBM but carrying handle should be removed first and the screws need a special screwdriver.

Bolex H16 EL, SB, SBM and EBM camera:
K-L = retaining nuts for fixing
screws B-C and F-G.

Home Catalog Contact Order Form Shipping Terms of Purchase

Copyright 2019 ChamblessCine Equipment